This Drifting Excrement Was Far Too Symbolic! These Are the TV Letdowns of the Year.

Looking back, we consider the television offerings of the past year, a handful of series emerge not for their excellence, but for their spectacular failures. Ranging from awkward sequels to bafflingly poor docuseries, here are the programmes that left us utterly bewildered or just reaching for the remote.

And Just Like That

How to start with this love/hate follow-up? Burdened with woeful scripts, cringe-inducing character development (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. Briefly, as the final season began, it looked like it had finally found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner declared this would be the last series. It concluded on a bum note; the closeup of Miranda’s toilet full of poo was simply too symbolic. Yet, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this drama's issues. The recipient of a very rare zero star assessment, it was hard to know where to begin listing the problems. The laughably wooden dialogue? The mind-numbing veneration of affluence and materialism? The seemingly deliberate procession of cliches? Acting so poor they felt borderline spiteful? Let’s just say “each and every one” and never speak of this show again. However, a second season has been commissioned, so we’re likely going to have to.

The Charlie Sheen Documentary

Considering the restraining orders, abuse allegations and fatherly shortcomings, it’s fair to say Charlie Sheen has been a bad boy. Not that you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various episodes of self-destructive hedonism while failing to tell us anything we weren't already aware of. Rather, it felt as if this volatile personality was being indulged, so any sympathy this show might induce should be reserved for the people who have had to endure close contact with this charismatic but dismissive egotist.

The Supercomputer Drama

Naturally we knew it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about admitting defeat.

The Gangster Drama

Shady characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t endure the embarrassment of having to accommodate baffling accents. But there were many other issues. Primarily that it was just really dull; a conflict over drug-selling territory between various London picaresques which seemed a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of the nation’s performatively enraged commentators, it’s temptingly easy to applaud the Duchess of Sussex’s televised forays into quaint lifestyle as intentional statements. But then you watch them and are forced to concede that in this case, they might have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with ideas of grandeur; a parade of sleeping dogs, humming beehives, Hallmark platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, mostly undeserved wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be discussed about regarding Victoria Beckham and her struggles with career, identity, self-worth. But for whatever reason, this documentary series opted not to explore them. Instead, the viewing was like reading a sales catalogue. She obviously has every right to bridle at what she describes as her “stern” image. But unfortunately, she didn’t do herself any favours with this cagey non-event of a series.

The Inheritance

It had the potential to be the next cultural phenomenon – except even camper, with a glamorous star as a deceased benefactor and a sharp-tongued personality managing her estate. What more could you ask for? As contestants competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a programme that was trying way too hard to live up to something far greater than it.

Too Much

How do you follow a show that defined a generation? The pressure was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, embodying Jane Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the sheer amount of celebrity friends involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, hopes were high. But sadly, most of it didn’t land. A recurring sketch was a one-note joke stretched to a husk but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be treated sensitively. Rather, the series laboured awkwardly to find the right voice, lurching from strangely breezy, slightly mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.

Prime Target

We love the star … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a breakthrough that could ruin society? Nope! This international thriller about secret services targeting – and killing off – intellectuals honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the content creator notorious for explicit exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who appeared to drag her son out of the queue. What we got was disturbing shots and absolutely no critical analysis of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.

Alexandra Campbell
Alexandra Campbell

Elena is a passionate advocate for social justice and diversity, with over a decade of experience in community organizing and inclusive education.